A wider frame value in which subjects in the frame are small; a building, cityscape.
| Extreme long shot in opening of Breakfast at Tiffany's |
A long shot (sometimes referred to as a full shot or a wide shot) typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings.
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| Long(ish) shot of Aurdey Hepburn in Breakfast at Tiffany's |
A type of long shot which includes the human body in full, with the head near the top of the frame and the feet near the bottom.
| Full shot of Audrey Hepburn in Funny Face |
A medium shot is a camera angle shot from a medium distance.
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| Mid shot of Breakfast at Tiffany's |
A detailed view of a person or object, usually without much context provided.
| Close up of Breakfast at Tiffany's |
A minutely detailed view of an object or a person. An extreme close-up of an actor generally includes only his/her eyes, or his/her mouth.
| Extreme Close up of Audrey Hepburn at Breakfast at Tiffany's |
A shot in which the camera photographs a scene from directly overhead.
| Bird's Eye of New York (Sort of) |
A shot in which the subject is photographed from above.
| High angle of building in New York, c. 1960 |
A shot in which the subject is photographed from below.
| Low angle from opening scene of Breakfast at Tiffany's |
The placement of the camera approximately 5 to 6 feet from the ground corresponding to the height of an observer on the scene.
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| Eye Level shot of Audrey Hepburn in Breakfast at Tiffany's |



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